中法融合，青花瓷与纸艺的珠宝艺术廊

2020/11/13 08:30:00

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南京市秦淮区1865创意产业园

真石漆 | 大理石 | 不锈钢 | 青花砖 | 纸艺

设计师 | 苏江

Concept Of Jewelry Exhibition Hall

1865 Creative Industry Park

NANJING | 2020.August.

"155年前，这是一个制造兵器的兵工厂，155年后，这是一个诠释珠宝的艺术廊，这是一种矛盾和冲突；过去，最后一个封建王朝留给了这个建筑，中西文化结合的缩影，形成了一个时代特有的风格，现在在这个“老房子”里做一个中法融合的纯净空间，我想这是一种共鸣和包容。"

艺术廊入口

原建筑拆除及重塑

关于艺术廊

整个项目的设计空间原建筑基础老旧，改造受限条件多，平面布局的构思就历经了3个月；但是也因为建筑的单层层高为5.1米，在这个老建筑的框架结构基础上，利用那个时代特有的柱帽结构，所以我们设计了一个交叉型拱券顶的廊，那么原本BOJEM定义的珠宝艺术中心也就变成了珠宝艺术廊的概念。

The original building foundation of the whole project is old, and there are many restricted conditions for transformation, so it took three months to conceive the plane layout. However, because the single storey height of the building is 5.1 meters, on the basis of the frame structure of the old building and using the unique column cap structure of that era, we designed a corridor with an intersecting arch crown, which is in the jewelry art defined by bojem Heart becomes the concept of jewelry gallery.

珠宝艺术廊实景

关于轻法式

这里的“轻”则是不是简化的意思，而是在色调上我们以干净的白色为基调，同时每个白色使用的材质不同、肌理不同，突出整个空间的颜色细节，从而达到我们想表达的法式风格中清新、亮丽的特点；在建筑形式上，我们用了典型的圆形廊厅，柱廊、拱券造型、廊桥、山花及卷曲的莨苕叶等表达法式的“奢”和空间的丰富性。

The meaning of "light" here is not to simplify, but in terms of tone, we take clean white as the keynote. At the same time, each white uses different materials and texture to highlight the color details of the whole space, so as to achieve the fresh and bright characteristics of French style we want to express; in terms of architectural form, we use the typical circular Gallery, colonnade and arch modeling The "luxury" of French style and the richness of space are expressed by means of corridor bridge, mountain flower and curly vetch leaf.

珠宝艺术廊实景

关于青花瓷

作为元代横空出世的旷世瓷器，本身它就是一件完美的中西方融合的产物，元人西征，用中国瓷器的制造工艺，及中欧特有的苏麻尼青料，创造了青花瓷特有的蓝色；所以自此青花在而后的明清时期不仅成为历代达官贵族追捧的收藏件，同时又通过古丝绸之路成为了欧洲的宠儿，在欧洲古典绘画中常会出现青花瓷的身影，所以色调上整个艺术廊把青花的苏麻离青料特有的青灰色地砖作为地面，而这也成为了空间中唯一硬装基础上可见的颜色。

As the outstanding porcelain of Yuan Dynasty, it is a perfect product of the fusion of China and the West. The people of the Yuan Dynasty created the unique blue of blue and white porcelain by using the manufacturing technology of Chinese porcelain and the unique sumani blue material of central Europe. Therefore, blue and white porcelain in the later Ming and Qing Dynasties not only became the collection items pursued by the nobles, but also formed through the ancient Silk Road In order to be the favorite of Europe, blue and white porcelain often appear in European classical paintings. Therefore, the whole art gallery takes the blue and white Su Ma Li green material's unique green gray floor tiles as the ground, and this has become the only color visible on the basis of hard decoration in the space.

珠宝艺术廊实景

关于纸艺

所有的橱窗，则是以纸艺的形式重现了很多个法国的经典建筑场景，也就是以纸的软性和空间的刚性形成对比，同时微缩的场景空间，为各类宝石提供有趣味性的展示背景。

About paper art

All the windows reproduce many classic French architectural scenes in the form of paper art, that is to say, the softness of paper is contrasted with the rigidity of space. At the same time, the miniature scene space provides interesting background for all kinds of gemstones.