深圳万科天琴湾项目丨中国深圳

山与海，设计始终寻找并迭新着人与自然最融洽的尺度。

“在自然之上，与城市接轨”，得天独厚的资源、景观优势和清晰的高端定位，让深圳的天琴湾诞生起，便将传奇延绵近 20 年。

Mountain and sea, design is always looking for and overlapping the most harmonious scale between man and nature. "Above nature, in line with the city", unique resources, landscape advantages and clear high-end positioning, so that Shenzhen Tianqin Bay was born, the legend has been lasting for nearly 20 years.

莱斯·沃里克（LLC，Line and Space 创始人）很早便受邀参与创作，以叠翠群山和浩瀚海景为天然屏障，缔造出 42 幢“不重复的别墅”，呈现原汁原味的坎贝尔崖风味。

Les Warwick, LLC, founder of Line and Space, was invited early on to create 42 "unrepeatable villas" with authentic Campbell cliffs flavors, using the mountains and ocean views as natural barriers.

了解建筑条件和理论，这成为室内设计者燕语堂接手项目后的第一步动作。

Understanding the architectural conditions and theories became the first step for interior designer Yan Yutang when he took over the project.

若干年前，LLC 接受采访，被问及“给中国建筑师的忠告”时，回答“要像澳大利亚著名建筑师格兰·默卡所说的那样——‘从你想结束的地方开始’。”

Some years ago, WHEN LLC was asked to give advice to Chinese architects, he said, "Start where you want to finish, as the famous Australian architect Glen Morcom said."

这句颇具禅意的话穿越时空，鼓舞着燕语堂的设计师，也道尽了 LLC 设计天琴湾项目的原旨。

These zen words travel through time and space, inspiring the designers of Yan Yutang and explaining the original purpose of LLC’s Tianqin Bay project.

它不单单是一个常规的社交中心，更体现着与周围地貌条件及广阔海域、天域的和谐。它容纳着社交所需的不同功能，更让对艺术的审美发生于其间。它是一个关乎情与美的场域。”LLC 说。

It is not just a regular social centre, but also a place that is in harmony with the surrounding landscape and the vast sea and sky. It accommodates different functions required by social interaction, and makes aesthetic appreciation of art happen in the meantime. It’s a field of love and beauty." LLC said.

对他而言，“尊重文化传统并非纯粹地模仿历史建筑的细节，而是深入理解特定场所的精神本质。”

For him, "respecting cultural traditions is not about simply mimicking the details of a historic building, but about deeply understanding the spiritual nature of a particular place."

LLC 一直在寻找建筑与环境之间的力量，忽视用尺规设计的理性主义，而去拥抱感性的世界，将曲线的语言延伸至山海相连。

LLC has been looking for the power between architecture and the environment, ignoring the rationalism of design with the ruler and embracing the sensual world, extending the language of curves to connect mountains and seas.

有感于此，燕语堂将目光投向无穷远，于山顶最高处，放逐一场心灵的神游。“希望当人们初入空间时，感受到艺术和自然的紧密相连，唤醒内心深处追寻美的本能。”

Feeling this, Yan Yutang cast his eyes to infinity, at the top of the mountain, exile a mind wandering. "I hope that when people enter the space for the first time, they will feel the close connection between art and nature and awaken their deep instinct to pursue beauty."

正如皮特·奥多夫所说：“或许我们不必费劲心思地装饰自然，不必刻意逃避花的凋零和枯萎，因为最本真的自然变化就是一种惊心动魄的美。”

As Peter O ’Dowf said, "Perhaps we don’t need to try to decorate nature, and we don’t need to deliberately escape the fading and dying of flowers, because the most authentic natural change is a kind of breathtaking beauty."

设计以“维度”将空间划分为艺术、时间、自然与思想四大场域，通过曲线力量塑造流动的感知，以此串联起场域间的秩序，续写对自然的孺慕和敬意。从打造豪宅生活到与自然的有机融合，是时代进步的有力论证。

The design divides the space into four fields of art, time, nature and thought with "dimensions", and creates the perception of flow through the power of curves, thus connecting the order between the fields and continuing the admiration and respect for nature. It is a powerful demonstration of the progress of The Times to create a luxurious life and the organic integration with nature.

空间不为“间”所固，在建筑的语境下回归原点，将自然的注解融于设计中，最大限度地呈现艺术家的创作能量，共同表达“超越所见的发现”，在“希望之光”中挥发超越的潜能。

Space is not fixed by "between". It returns to the origin in the context of architecture, integrates natural notes into the design, and maximizes the creative energy of artists to express the "discovery beyond what is seen" and the potential of transcendence in the "light of hope".

一望无际的海岸线，巧妙地呈现在一个弧形墙体，从所观到所感，述说着每个人内心的事物，是透过眼眸的自由和向往。

The endless coastline, cleverly presented in an arc wall, from what you see to what you feel, tells everyone’s inner things, is through the eyes of freedom and yearning.

弧形装置艺术，源于非洲 300 年前的古树。那些通过时间所沉淀的纹理是最独特的语言，艺术家塑造了一个弧形木船的精神符号，象征着过去连接未来的无限可能。

Arc installation art originates from ancient trees in Africa 300 years ago. The texture deposited through time is the most unique language. The artist creates a spiritual symbol of a curved wooden boat, symbolizing the infinite possibilities of connecting the past with the future.

原始木头、天然洞石块、陶瓷铸铜构件和植鞣牛皮，在空间中凝聚成火、土、水、光、空气这些自然的力量，摈弃一切矫饰，让生活的状态是自然而然的。

Primitive wood, natural cave stones, ceramic cast copper components and vegetable tanned cowhet are condensed into the natural forces of fire, earth, water, light and air in the space, abandoning all pretensions and making life natural.

如果将人生比作一趟旅行，那在这场山海的神往中，耳畔尽是群山的静谧之声。

If life is compared to a journey, in the ecstasy of mountains and seas, I hear the quiet sounds of mountains.

眼底映入海浪的翻涌之势，嗅觉所感岁月过滤的酒香之醇...慢慢汇成自然与艺术的缱绻私语，让人们安居于此，尽享美好。

Fundus into the waves of the upwelling potential, smell of the years of filtering alcohol... Slowly merge into the tender whispers of nature and art, so that people can live here and enjoy the beauty.

开门即拥抱自然，这是一场人与自然互动的精心设计。取存于天地的轮廓之形，通过优美而平滑的线条，表述抽象艺术的写意，徘徊在无界的场域找到生活的意义。

Open the door to embrace nature, which is a carefully designed interaction between human and nature. Taking the outline of heaven and earth, the elegant and smooth lines express the freehand brushwork of abstract art, wandering in the boundless field to find the meaning of life.

户外的家具取意于浑然天成的山石之形，起伏间将其进驻到生活中，让人从感官享受到思想深度逐步勾起对自然地域的记忆和归属。

Outdoor furniture takes meaning in the form of the rock that naturally becomes, between ups and downs its stationed in the life, let a person from sensory enjoyment to the depth of thought gradually evoke the memory of natural region and belonging.

在人与自然这段坦诚而直接的关系中，将无垠大海、巍峨山峦、浩渺天际纳入一室之间，无论从任何角度眺望，都能将过尽千帆的山海尽收眼底、渐入五感。

In this candid and direct relationship between man and nature, the vast sea, towering mountains and vast sky are brought into one room. No matter from any Angle, you can have a panoramic view of the mountains and seas that have traversed thousands of sails, gradually entering into the five senses.

格物致知，是对城市、自然和人居的概述。通过四大维度的塑造，建立人与自然的和谐共生，让理想写实于生活，将生活照映至自然，以此达成城市进程与万物规律的平衡。

It is an overview of cities, nature and human settlements. Through the shaping of the four dimensions, the harmonious coexistence between man and nature is established, the ideal is realistic in life, and life is reflected in nature, so as to achieve the balance between the urban process and the law of all things.

项目名称：深圳万科天琴湾项目

Project Name: Shenzhen Wanke Tianqin Bay Project

建筑方案设计：Line and space

Architectural design: Line and Space

施工图设计：深圳市天华建筑设计有限公司

Construction drawing design: Shenzhen Tianhua Architectural Design Co., LTD

景观设计：GND 杰地景观

Landscape design: GND Landscape

室内/软装设计：ENJOYDESIGN

Interior/soft decoration design: ENJOYDESIGN

项目总负责：李燕

参与团队：ENJOYDESIGN 深圳 胡荣团队

Team: ENJOYDESIGN Shenzhen Hurong Team

甲方团队：齐琳、吴智彤、张谢鑫、纪惠敏、刘洁、曲湃、林倩雯

Party A’s team: Qi Lin, Wu Zhitong, Zhang Xiexin, Ji Huimin, Liu Jie, Qu Pai, Lin Qianwen

项目摄影：形在空间摄影｜贺川、WYAP 文耀影像、Enjoyphoto Studio

Project Photography: Kagawa Space Photography | Kagawa, WYAP Wenyao Photography, Enjoyphoto Studio

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排版编辑：ANER

校对校对：ANER