Stuart Lippincott 的科幻艺术探索

神圣的光影艺术

景仰宇宙敬畏自然

THEARTOF

DIVINELIGHT

AND SHADOW

Stuart Lippincott，一位来自美国的数字艺术家、概念设计师。

从 2016 年 4 月开始，Stuart Lippincott 每天都会用 C4D 创作一幅概念渲染图，直至今日期间从未断更。

其作品画面充满科幻、宗教、未来、光影等元素。因为这些作品在线上引起了广泛的关注与认可。

这些作品光感质感十分逼真，如果不是这种黑暗未来的画风，第一眼真的会误以为是照片。

他也获得了与 Adobe，Microsoft，Google，Xbox，Intel 等国际品牌合作的机会。

Stuart Lippincott, a digital artist and concept designer from the United States. Since April 2016, Stuart Lippincott has used C4D to create a concept rendering every day, and has never stopped updating it until today. The screens of his works are full of elements such as science fiction, religion, the future, light and shadow. Because these works have attracted widespread attention and recognition online. The light texture of these works is very realistic. If it weren’t for this dark future painting style, at first glance, it would really be mistaken for photos. He also got the opportunity to cooperate with international brands such as Adobe, Microsoft, Google, Xbox, Intel and so on.

Stuart Lippincott,通过 DAZStudio 结合 OC 渲染器创造出一系列异度空间，他非常擅长通过超强的光线，纵深的空间，神秘静谧的氛围，用高明度和纯度的色彩，创造出充满敬畏的未来感场景。以超现实的方式展示，极强的空间感与神秘的形式感，便显出人类在宇宙的面前是如此的渺小，以及对大自然抱以敬畏之心。

Stuart Lippincott, through DAZStudio combined with OC renderer to create a series of different degrees of space, he is very good at using super light, deep space, mysterious and quiet atmosphere, with high brightness and purity of color, to create a sense of awe in the future Scenes. Displayed in a surreal way, with a strong sense of space and mysterious form, it shows that human beings are so small in front of the universe and that they are in awe of nature.

01EVERYDAYS2021/1

创作

于 2021 年 01 月

几何符合的运用，

他诠释的很到位

强势但仪式性的宏伟感。

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创作

于 2021 年 02 月

有些许的失重感，略带眩晕

带有

强烈的虚空感的超现实画面

给予人很强的存在感

科幻电影的最美而

极致画面

03EVERYDAYS2021/3

创作

于 2021 年 03 月

04EVERYDAYS2021/4

创作

于 2021 年 04 月

05 The End 尽头

不要让自己过多地消融于世界，要尽量稳固、充实、坚定。我们所有人共活于世，那些去爱、去感知的人活得最为丰盛。

——亨利·詹姆斯 《见信如晤》

Don’t let yourself melt into the world too much, try to be as stable, full and firm as possible. All of us live in the world together, and those who love and perceive live the most abundant lives. ——Henry James, "Seeing Letters Like Meetings"

相关阅读

▲左图为《灾》原封面设计，右图为 Stuart Lippincott 原作。

10 月 9 日，原作者 Stuart Lippincott 在社交网发文称已与易烊千玺团队达成合作，还为他设计了新的封面。

易烊千玺工作室同日发布了设计师 Stuart Lippincott 为歌曲《灾》设计的新封面，并回应了专辑封面创意抄袭：“很开心与设计师 Stuart Lippincott 的这次合作，打破时差数轮沟通，都让我们的想法更加一致，也让这一次的合作过程非常愉快。未来我们会继续秉持尊重原创、保护版权的严谨态度，自省于身。”

On October 9, the original author Stuart Lippincott posted on the social network that he had reached a cooperation with the Yi Yang Qianxi team and designed a new cover for him.

Yiyan Qianxi Studio released the new cover designed by designer Stuart Lippincott for the song "Disaster" on the same day, and responded to the creative plagiarism of the album cover: "I am very happy to have this collaboration with designer Stuart Lippincott, breaking the time difference and several rounds of communication. They all made our ideas more consistent and made the cooperation process this time very enjoyable. In the future, we will continue to uphold the rigorous attitude of respecting originality and protecting copyright, and reflect on ourselves."