虚构商店 VINTALOGY | 藏匿文明的时间胶囊

你将在这里看到和读到的一切，都是谎言。

Everything you will see and read here is a LIE.

▼室内空间概览，interior view

这是一个属于建筑虚构类的项目。多数时候，建筑师展示的项目都充斥着谎言、虚构和对真实情况、文脉、客户的奇异扭曲；他们是让项目脱离、丢弃、迷失其理想和原始状态的“代表”。建筑中的交流是宣扬长久丢失理念的最后机会，因此，ENORME Studio将这个建筑虚构呈现为真实的事物，而非令人绝望的谎言。我们不应该对一些现象感到惊讶：没有出售商品的商店，没有披萨或披萨广告的披萨店，纯粹道具式的怪异东西，没有物品、居住者或者杜撰物品、居住者的住宅，从未发生或者过程完全不存在的建筑故事。我们看到和读到有关建筑的一切都是谎言。

▼VINTALOGY店内部轴测-一层，axonometric drawing of the VINTALOGY-ground floor

▼地下层，basement

This project belongs to the Architecture Fiction genre. Most of the time, architects present our projects overflowing with lies, fictions, and strange misrepresentations of what are the actual state, the actual context and the real client; they are the “agents” who distort our projects from their ideal and original state, lost but always missed. Communication in architecture is our last chance to claim for that ideal, lost along the way, thus we present this fiction as something true and not as the desperate lie that it is. Then, we are not surprised to discover that there are projects of shops without objects to sell, pizzerias without pizzas or advertising on pizzas, oddments that are pure props, homes without objects or occupants or with invented objects and occupants, stories that never happened and processes that never existed. Everything we see and read about architecture is a LIE.

▼VINTALOGY柜台，the counter of VINTALOGY

▼陶土，金属、深色墙面构成的展示空间，the display space constructed by ceramic, metal and dark walls

下面是我们关于这个项目的谎言…… “那是1991年，办公室收音机正在播放Alejandro Sanz的 《Los dos cogidos de la mano》。Beatriz已经喜欢她那件带紫色和靛蓝色花卉图案的FILA运动衫很多年了，这是之前Ana为了换取和她跳舞的宝丽来照片而送给她的。十年过去了，她依然保持着对摄影的热情，那件运动衫依旧是她“永远”最爱的服装。然而那天下午发生了一件让她很担心的事情。媒体一直在讨论极右翼组织TOX的猖獗，似乎即将爆发政变和战争。几个月前她在VINTALOGY购买的时间胶囊依旧是空的，就放在隔壁房间。Beatriz认为使用时间胶囊的时刻已经到了。她打开盒子，放入挚爱的运动衫，小心翼翼的遵循真空密闭的要求，用从车库找到的一把铲子在花园里挖了一个洞，埋藏了那个可以保护这件神奇衣物免受任何悲惨未来的密封盒。

Here is our lie about this project… “It was the year 1991 and “Los dos cogidos de la mano” by Alejandro Sanz was playing on the radio at the office. Beatriz had been in love for several years with her FILA sweatshirt with violet and indigo floral motifs that Ana had given her some time ago in exchange for a polaroid photograph of them dancing. Ten years had passed but she continued to devote herself with the same passion to photography and that sweatshirt was still her favorite “ever” garment. However, that afternoon something worried her. The press was talking all the time about the rise of the extreme right-wing group TOX and it seemed that a coup d’etat and perhaps a new war could be imminent. VINTALOGY’s Time Capsule that she had bought months ago was still empty in the next room. She thought the moment had arrived. She opened the box, put on her fetish sweatshirt, carefully following the protocol of vacuum closing, found the shovel in the garage and dug a hole in the garden to hide that hermetic box that would protect that piece of magic cloth from any tragic future.

▼建筑虚构故事-主人公得到一件心爱的运动衫，architectural fiction-the protagonist got her favorite sweatshirt

▼建筑虚构故事-主人公为躲避战争，将运动衫藏入VINTALOGY时间胶囊中，architectural fiction-protagonist hid her sweatshirt into the Time Capsule to protect it from the war

第二天再做这件事情就为时已晚了。她被核弹的噪声所惊醒。TOX宣布围攻，由于全国范围内对核电站的大规模袭击，整个国家都陷入一片带有毒性的阴郁浓雾中。许多人试图保护他们最珍贵的衣服，但没有成功……许多人和事物消失在厚重的放射性物质和残骸之下。冲突持续了两年多的时间，人类社会几乎沦为了幸存者的小殖民地，只有数千件物品在VINTALOGY时间胶囊的保护中留存下来，但似乎这些作为这个文明的唯一遗迹已再次被深埋地下。然而，正如一次又一次发生的那样，早在2019年，愚蠢的人类又回到了一个仍被污染和贫瘠的地球上繁衍……地球人一砖一瓦的建造他们的旧建筑物，VINTALOGY开始竭尽全力搜寻上百个那些装有这个几乎灭绝文明最珍贵物品的时间胶囊。

▼建筑虚构故事-VINTALOGY搜寻时间胶囊并进行净化存储，architectural fiction- VINTALOGY began searching for  Time Capsules, decontaminated and cataloged them

The next day would have been too late. She was jolted awake by the noise of the nuclear bombs. TOX had declared a state of siege and the country was sinking into a cloud of toxicity and melancholy due to a massive attack on nuclear power plants throughout the country. Many other people tried unsuccessfully to protect their most precious garments … Many others disappeared buried under a thick layer of radioactivity and debris. The conflict lasted more than two years, humanity was almost reduced to small colonies of survivors and only thousands of items protected by VINTALOGY’s Time Capsules rested buried as the only vestige of a civilization that once again seemed to have reached the bottom. However, as early as 2019, and as it had happened again and again, those stupid humans had come back to reproduce on a Planet Earth still polluted and infertile … The earthlings rebuilt stone by stone, brick by brick their old buildings and VINTALOGY began the exhausting search for those hundreds of Time Capsules that harbored the most precious objects of an almost extinct culture.

▼可自由移动旋转的中央展示台，the central display counters are free of moving and rotating

每天有数十件这样的服装经过净化，由合格的VINTALOGY员工对这些地球曾经拥有的象征性印记进行编目。这些衣物的每一件都带有梦想、记忆和经历，VINTALOGY科学家将这些衣物存储在附近用远古城市废墟建造的陵墓中……那些衣物是美好世界唯一留存的东西……”

Dozens of these garments are decontaminated and cataloged each day by qualified VINTALOGY personnel as a symbolic trace of what the Earth once was. Each one of those garments is full of dreams, memories and experiences that the VINTALOGY scientists store next to the garments in a mausoleum built from pieces of ruins of the ancient city … those garments are the only thing that remains of a better world … “

▼阶梯式的展示台，ladder-like display area

▼陶土砖及图案细节，detail of the ceramic blocks and the patterns

Authors: ENORME Studio  Client: VINTALOGY  Construction: DYPSA Photo: Javier de Paz García  Location: Vintalogy, Madrid. Calle Barceló nº13, Madrid. Date: December 2018. Area: 300m² Material: Ceramic materials by Grupo Díaz Redondo. 3936 ceramic pieces.