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知末案例 / 公共空间 / 艺术馆 / waa未觉建筑

废墟上的艺术新生——水电站美术馆设计

2020/04/15 10:51:08

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效果图 |

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未觉建筑

2017年12月，由

waa完成设计的“

水电站美术馆

”正式进入施工准备阶段，预计将于2020年夏季完成建设。

水电站美术馆

，地处

北京的密云水库，原有建筑是一座废弃已久的水电站，实际是一间不足

100

平米的文革时期的平房。

建筑师的设计任务把这个小院子改造成一座美术馆，包括陈列三件雕塑展品的永久展厅，文化沙龙，餐饮，及微型酒店。

水库的大坝与水电站连接的通过一段

1100

米长的露天

水渠，我们选择将美术馆的辐射范围延展到水渠，观展的主入口设在大坝的渠口，水渠里布置了给艺术家做装置艺术的点位，参观者需要步行

多分钟穿过整条水渠才能进入美术馆的内部。

这条水渠是水电站曾经的“生命力”的历史线索，也是开启它新的使命的主要路径。

Tourism in the rural countryside has seen an upturn within China in recent years, with many of the younger demographic finding this a popular alternative to international trips. This has led to a boom in boutique hostel industry implanted in villages, with demand high for an authentic experience. The Powerstation complex was considered an ideal location to renovate due to its proximity to the great wall and natural scenic beauty.

Built during

the Cultural Revolution

(1950-1960) the hydroelectric Power station provided electricity for the surrounding farming communities. The water for the hydroelectric station was funnelled from a small man made dam, 1km upstream along a aqueduct which hugs the mountain ridge. A turbine hall is housed in the basement of a single industrial brick control station and accessible through a single set of stairs. The site was a mixture of remnants from the recent past. Dormant Industrial machinery, walls of mud brick concrete and rubble, vegetation, previous excavations of mountain faces. The site encompassed homes from the village some inhabited others in a state of dereliction.

场地航拍

图 |

Site Drone View

业主提供 |

动线分析

Circulation Analysis

未觉建筑

场地航拍

图 |

Site Drone View

业主提供 |

现场混合着不同年代遗留下来的痕迹，工业时期的机械零件，村居使用时的毛石，粘土以及邻近山脚的片石，和小院里原本用来生活使用的砖房混杂在一起。红砖，灰砖，甚至是十几年前瓷砖穿插在一个场景里，具有很强的时间性。然而我们并不希望只是简单的重塑或是整理这些年代留下的碎片，因为新建筑的场景已经无法在旧建筑中得到满足，所以它的目的不应该是用来缝补缺失了的旧样貌，而是在尊重周边环境的尺度和关系的基础上,创作出更适合这个新场景的建筑。尺度和外型轮廓上延续了周边建筑的基调，新建的外立面使用半透明的聚酯纤维板，用这种新材料的柔和虚对话现场保留下来的石头，旧砖和水泥的硬和实，目的是想探讨新与旧之间的平衡与相对关系。

The architect was tasked in adapting this industrial building and designing the surrounding masterplan scheme with a programme of permanent Gallery to exhibit three main programs, a salon, a restaurant and hotel functions. It was decided to draw out and stretch the time to enter the main cluster to replicate the important route for channelled water in the past to create energy we embedded this procession route to the building with the Visitors enter at the tip of the dam a km away echoing the flow of water. A series of site specific Arts interventions where planned to be curated along this route, and we hoped the experience brings awareness to the historical trace and awareness of power generation.

With such rich context it was easy to mark Time through existing layers and traces of past expansions and slap dash fixes. We chose to use semi-translucent polycarbonate as it’s the soft and surreal material to balance the rock, brick and concrete those hard remnants of the site. This new layer for future was not a case of replicating a local vernacular more a sequence of revealing portions of this context in careful order. Creating a balance in the degree of change and the awareness of reading Time selectively through modern materials.

废墟上重建

Build on the Ruins

未觉建筑

新与旧

enovation Scope

未觉建筑

遗憾的是现存建筑的体块是无法满足新功能所需的使用面积的要求，于是我们把平面反转，原来的室内部分变成了室外,原来的室外院落变成了室内。原来的水电站，保留了废弃的设施，墙体和门窗，只去掉了水泥的平顶，变成了美术馆的室外中心庭院。原来的院落，加上了新的顶盖，变成了美术馆的一层展厅。沿着外部道路的方向水平布局了一个长条的展厅，轻柔的“浮”在旧的院墙的上端，一条透明玻璃幕连接新建筑与旧墙，在视觉上可以脱开新旧的交接，为的是减弱新的体量对现状可能有的视觉压力。我们谨慎的布局了九间客房，尽量的延续周边村居的房屋轮廓和体量关系，并且将其布置在末端尽量的靠近山体，用山体的

体量和透视的关系来弱化这一新建有可能对周边现存场景的影响。新旧的关系在交错混合中重新组合并且寻找适合的定位。

Unfortunately the existing area of the power station was insufficient to function in its new incarnation and required greater area. The plan was reversed, flipped Inside out so the surrounding site was to be made internal to maximize the available area of the yard into a ground floor which encompasses a multifunction salon offices. Memories of the past where enshrined through keeping selected Machinery, Retaining walls Windows from demolished buildings and perimeters of previous homes and courtyards preserved. The Old PowerStation’s roof was removed and this now became a focal central courtyard which all massing orientates towards. A prominent Site specific sculpture was commissioned to occupy the centre of this courtyard and access was maintained to the turbine room below beneath the sculpture. The courtyard can be viewed from the accessible roof it allows views down to the courtyard and acts as access to A long linear permanent gallery space was balanced parallel to the road on the observed sitting parallel to the site constructed in polycarbonate this acts as a beacon in the surrounding valley. Adjacent to the Gallery We carefully arranged a custer of 9 hotel rooms to fit the scale of the existing village context into addressing to the inner courtyard. which in the centre face so far to minimize the visual obstruction for the village. Access to the aquaduct to from an additional courtyard habouring a waterfall with water which was once destined for the turbine now a symbolic gesture and which is detoured of to the river adjacent to the site.

轴测图 |

AXO

未觉建筑

模型 |

Physical Model

新与旧

enovation Scope

未觉建筑

参观者需要步行20多分钟穿过整条水渠才能进入美术馆的内部。这条水渠是水电站曾经的“生命力”的历史线索，也是开启它新的使命的主要路径。

Visitors enter at the tip of the dam a km away echoing the flow of water. A series of site specific Arts interventions where planned to be curated along this route, and we hoped the experience brings awareness to the historical trace and awareness of power generation.

现场勘测

2017.07

Site Visit

水电站美术馆是在尊重

周边环境的尺度和关系的基础上,创作出的更适合这个新场景的建筑。

尺度和外型轮廓上延续了周边建筑

的基调，新建的外立面使用半透明的聚酯纤维板，用这种新材料的柔和虚对话现场保留下来的石头，旧砖和水泥的硬和实，目的是想探讨新与旧之间的平衡与相对关系。

With such rich context it was easy to mark Time through existing layers and traces of past expansions and slap dash fixes. We chose to use semi-translucent polyca

rbonate as it’s the soft and surreal material to balance the rock, brick and concrete those hard remnants of the site. This new layer for future was not a case of replicating a local vernacular more a sequence of revealing portions of this context in careful order. Creating a balance in the degree of change and the awareness of reading Time selectively through modern materials.